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Throughout it all, the women navigate their new friendships by doling out terrible advice, worshipping at the church of brunch, and generally being weirdly hysterical caricatures of real people. Her coworker Izzy - who generally serves as the most extreme character of the entire series, having gone as far as pretend her name is Alison to fit in with her coworkers - befriends the trio, but never seems to figure out if she's part of the gang or their weird pet.
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Jules has been ignoring her girlfriends for nearly five years, and apparently, it also means she's lost all understanding of how women interact with each other despite working at Woom, which comes off as a comically exaggerated imitation of The Wing. The series begins by introducing Dennings's character Jules after she's dumped by her longtime boyfriend and subsequently attempts to reconnect with her former best friends Madison (Song) and Stella (Mitchell). The Surreal Dollface Trailer Has Us Calling Our Best Friends For Girls' Night ASAP The female-led cast is so phenomenal in their roles, in fact, that they made me genuinely care that their characters treat each other terribly. Making things even more exciting, Dennings is joined by the criminally underrated Brenda Song, Shay Mitchell playing a much more zen Peach Salinger, and Esther Povitsky, who steals the show in almost every scene. This isn't to say that I didn't enjoy watching the series at all in fact, I relished seeing Kat Dennings showcase her comedic chops after dragging herself through the same boob jokes for years on the CBS sitcom 2 Broke Girls. There's only so much that fantasy sequences can accomplish when the real-life scenes feel like Instagram influencer ads for the Rosé Mansion come to life. But mostly, the show fails to do the one thing it's meant to - be an entertaining look at how difficult it can be navigating modern relationships, primarily among women. For the most part, the 10-episode first season just squeaks by thanks to its relatable sense of humor and hit-or-miss asides that can either take you out of the story completely or serve its purpose in being an entertaining attempt at bringing the chaos of imagination to life.
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Everything about Hulu's Dollface promises to be an onscreen mecca for millennial women: it has a young, ubertalented cast, a premise full of potential, and it also boasts Margot Robbie as an executive producer.